Soul Divided
JD's debut is available from CD Baby, iTunes, etc...  Check out tracks on the music page.

Tracks from Soul Divided are featured on MP3 Idaho

Where now Overcurve..?
Overcurve released Tilt, their sophomore effort early in 2006.  During the midst of the recording, the band found themselves geographically challenged as JD relocated to Idaho and drummer Doug Reagin migrated to Texas leaving bassist Jim Stair and guitarist Brian Coykendall holding down the fort in the SF Bay Area.  Although it puts a crimp in the ability of the band to perform many shows in support of Tilt, you can still catch JD performing songs from the album acoustically and the band will continue to work together using the wonders of technology for remote collaboration.
FAQ
Some of the more common questions asked...

q: How are all the guitar sounds heard on the Overcurve recordings derived?  What amps, guitars, etc?

a: It's the result of using different amp tones and guitars on just about every song.  Most electric guitar work is tracked through Line6 POD's or amps. In some cases I'll use one sound and two different guitars to thicken the track and give it a little extra.  I'm a fan of doubling guitars and having a nice stereo image but I don't necessarily have a formula - most of the time the tone is whatever fits the song and what I hear in my head.  -jd

q: I understand that you played everything on your solo CD.  Is there a reason why you didn't involve others in the recording?

a:  I never intended Soul Divided to be a 100% vanity recording but the fact is that the way I write often leads to a fully recorded song.  I work up the arrangements as I write and rarely do guide tracks that I throw away - in other words, many times when I track parts, I intend them to be "keepers".  When we started work on Tilt, I held out a number of songs we had played together previously live and in rehearsals only because the production and recording of them had reached a state that was so close to finished I couldn't see throwing away the work just to replace it with other performances.  I figured we'd just do another batch of songs and that's what we did.  All the stuff I had already recorded ended up on Soul Divided with one exception - the song Longer is on both CD's.  The summary is that Soul Divided came about because of my writing method and often my over-eagerness to translate the parts I hear in my head to tracks quickly during the excitement of creation and improvisation.  -jd

q: How long have you been playing drums and what kind of kits do you use (or have you played)?

a: I've been playing drums for over 30 years and in that time I've had about 5 drum kits.  My first kit was a 4-piece sparkle-blue Stewart set that my parents bought for me from my first drum teacher for $80.  I ended up selling it to my high school band department for $100 :) when I bought my first kit - a CB700 5-piece.  I eventually got a Pearl Export 5-piece, added Roto-toms and then blended some of the CB kit into it for a double-bass monster that I used for a number of years.  Eventually I sold that kit and found a used Tama 5-piece that was used on all the Dart recordings.  I also built out a MIDI-trigger kit that was used for some of the songs on the first Overcurve CD.  After I parted with the Tama I picked up another Tama kit - a black 7-piece Imperial Star that I used on a lot of the  Overcurve recordings.  That's also the kit heard on Julia's CD and on most of the Tilt tracks.  I never took it out live - it was setup for recording entirely and mic'd to the hilt.

I parted with the Imperial Star in mid-2005 and got my dream kit - a Tama Starclassic 9-piece.  It remains as my current kit and is also setup for recording.  It appeared on a few Tilt tracks and a lot of Soul Divided and it's what you'll be hearing from now on .  I should also mention that I use all Zildjian cymbals and several of those have been with me since that CB700 kit...  Good tone can last a lifetime.  -jd

q: Any advice for someone who wants to play all the instruments?

a: Yes!  Don't!  (Just kidding.)  Seriously, I went down that road more out of necessity and the frantic pace I work at when I get "in the zone" of writing and creating.  It's not an inexpensive venture and although I love approaching each part in the mindset of that instrument, no one survives in a vacuum.   Collaborating is still one of the most rewarding things but for me, when no one else happens to be around, I have enough instruments and abilities on them that I can find one that will suit just about any mood I happen to be in.  It has also provided me with a lot of diversity in my writing - songs may start with a rhythm pattern, bass line, piano part, acoustic guitar or electric guitar.  It's nice to have options.  You might be close to the mark if you say that I have MIADS (Musical Instrument Attention Deficit Syndrome)  :-)  -jd